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Faith at the threshold in Stalker
Three men cross a forbidden wasteland to a room that grants your deepest wish, and none of them goes in. Tarkovsky’s parable of faith, despair and the leap no one takes.
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The architecture of class in Parasite
Stairs, windows, sunlight and smell: how Bong Joon-ho builds a class system out of a house, then floods it.

Death as the way life continues in The Fountain
Three men chase the same tree across the centuries. Aronofsky’s answer to the oldest story we tell is that death is how life continues.
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